Mostrando entradas con la etiqueta post rock. Mostrar todas las entradas
Mostrando entradas con la etiqueta post rock. Mostrar todas las entradas

1 de mayo de 2014

[Review] Cynic - Kindly Bent To Free Us

Cover

California based prog metal band Cynic is back with their third album in 21 years, yes, it's been 21 years since Cynic released "Focus" back in 1993. While Nirvana was in the spotlight and Metallica was still touring their most commercially succesful album (don't get the idea that I like Metallica), Cynic released the influential debut which originally received mixed-to-bad reviews from the metal scene. Cynic cited the backlash as one of the reasons for their break up in 1994, but when they returned from their sleep more than a decade later, metal had gone a long way since 1993 and "Focus" had become a cult classic, inspiring bands like Scale The Summit and Between The Buried And Me.

Fifteen years after the release of "Focus" came "Traced In Air", which was a direct continuation of the sound of their debut album (only a little softer), and was generally well received by fans of "Focus" and progressive metal in general. A series of experiments with the softer and more melodic side of the band came later ("Re-Traced", a reimagining of "Traced in Air", and an EP titled "Carbon Based Anatomy), which bring us to the release we are looking at today.

"Kindly Bent To Free Us" is the culmination of around 5 years of experimentation, and though it retains the sound and textures of their previous work it also makes away with the heavier guitar work and harsh vocals of "Focus" and "Traced in Air". The music remains moderately complex, the drums are groovy and constant and there's still guitar solos here and there, but Cynic no longer sounds like a metal band. With a runtime of just over 40 minutes the album feels a little short for a 6 years wait and it's 8 songs are over too soon even with a 5 minute average lenght.


The lyrics are someplace between spiritual (there's a little excerpt of a speech by Alan Watts) and just cryptic, but with a little imagination you can make something out of them (except the lyrics in "True Hallucination Speak", which sound just like that). The vocals retain the robotic and cold style of their previous albums, if a bit more melodic, but the main strength of the "Kindly Bent To Free Us" is the instrumental section.

Guitars, bass and drums never outshine each other, not even during solos, so the music feels generally complete and engaging, like some kind of futuristic version of a rock band from the 70's. The zeppelinesque riffs (yes, that's apparently a commonly used term), the sweet fretless bass and a  good use of ghost notes give the songs a pleasant sense of speed and groove, and while the music is generally a little cold the album certainly climaxes with the song "Moon Heart Sun Head", a 5 and a half minutes little progressive piece.

Cynic may not have reinvented themselves, they rather disposed of half of the elements that composed their early sound, but the end result doesn't feel limited, if anything it leaves them a lot of ground to explore.

Ranking: recommended
For fans of:  modern prog rock, post rock
Accessibility: moderate
Highlights: "Moon Heart Sun Head", "The Lion's Roar"

1 de septiembre de 2013

[Review] Karnivool - Asymmetry


Karnivool is a prog rock/metal quintet from Perth that has often been compared to Tool by a number of reasons, musical or not; their dark sound, sometimes cryptic lyrics, polyrythms and odd time signatures have drawn comparisons between both. Curiously enough they share the last three letters out of their names and a tendency to take 4 or 5 years between releases.
But how deep do these similarities go? Well, Karnivool has made certain that they draw a line between both bands with their new record, Asymmetry.

The band has incorporated a few elements from hardcore and post rock, the songs are mostly fast, equally melodic and agressive, the guitar arrangements often sound loose and more like part of the background sound of the band than something that is meant to draw attention, leaving that role to vocals and drums. Both guitars and bass mix and melt into a wall of sound that surrounds the listener. The production contributes to this feeling, even when there's not a lot of layers to pick apart, the guitars are often hard to tell from each other in the noisiest parts, and drums feel like they are mixed too loud, with cymbals that sound too distorted and trebly.

Overall the album pays homage to it's name. Asymmetry can be easily divided in two halves, the first being compact and comprised of mostly upbeat songs, with The Refusal peaking in agressivity. The second, much more melodic and laid back, has some songs separated by long ambient and instrumental interludes. This, in my opinion, is not inherently good or bad. While it feels like the album lacks focus or a clear background idea it also keeps things from getting stale; for an album that clocks at about 67 minutes having most of it composed of songs like those in the first half would tire the listener too fast. The lyrics deal mostly with existencialism (though not exclusively), with lines like "Try to understand/ There is no great plan/ We will cross the line/ With an open mind" and "I want us to face the shape we're in/ A world of confusion awaits our sons and kin/ Let's reset it all".

There's no doubt this album is a grower, while initially it feels like it goes nowhere, once you memorize some of the songs and review the flow of the album in your head, the rest starts to sink in slowly and then it becomes a much more rewarding experience. Show patience and you'll see the results soon enough.

7.5/10


1 de mayo de 2012

(7.5/10) Marriages - Kitsune (2012)


A new release from Sargent House, the debut album from Marriages is a short  psychedelic post-rock album very similar to Dot Hacker's debut album and ep, only slightly heavier. The band is composed of members of Red Sparrowes (the three members are from RS though they all have other projects). The album was recorded between the last months of 2011 (when the band formed) and the first months of 2012, and was released today via Bandcamp. Kitsune flows very well from beginning to end, both as an album or analized as individual compositions, the only drawback is that the album has the lenght of an EP and clocks at 26 minutes, which doesn't let much space to experiment, but ultimatelt it serves the flow well.



01. Ride In My Place
02. Body of Shade
03. Ten Tiny Fingers
04. Pelt
05. White Shape
06. Part The Dark Again

Emma Ruth Rundle - Vocals, Guitar, Piano, Flute 
Greg Burns - Bass Guitar, Synthesizer 
Dave Clifford - Drums, additional Guitar on "Pelt"