[Review] Death Grips - Government Plates

Death Grips have received a lot of praise and a lot of hate in the last year and a half, after releasing their landmark album The Money Store in 2012 they went on to cancel a full tour, release the next album for free (which ended their relationship with Epic) and then cancelling another tour, as well as not showing up to a show in Chicago... but what about the music? Well, it's no less chaotic and agressive than their recent approach to label and tour obligations.

While their previous three albums featured MC Ride prominently, Government Plates (which was released for free and to the complete surprise of their fans) is much more experimental, spacey and electronic. Only a few songs feature Ride regularly, while most are majorly instrumental or feature just a few lines or samples that give personality to the wall of noise and electronic beats behind.

Government Plates is a short, agressive and psychedelic journey that feels like listening to rap on a variety of drugs.

From the short, fast paced, electronic bubbling track "Big House" to the crawling glitch-hop of "I'm Overflow" and finally the impressive wall-of-noise behemoth "Whatever I Want (Fuck Who's Watching)" the album has a lot of variety to offer in it's 35 minutes. From Ride's in-your-face-verbal-abuse shouting/rapping, to Zach Hill's frenetic beats to Andy Morin's electronic sweeps and heavy synth riffs the album has it's own personality and shows a new "progressive" face of the californian band.

There's no doubt Death Grips have a lot of personality both in the studio and outside of it, and they still have a lot to offer musically.

8.5/10

Follow us on Facebook

(7.5/10) Omar Rodriguez Lopez - Un Corazón De Nadie

After 2011's unusual blank space in Omar's release calendar comes the first album since 2010's Un Escorpion Perfumado, following the overall aesthetic of said release but this time featuring Omar behind all the music, from vocals, through bass to live drums and showing a bit more of his electronic side which he has been exploring briefly in the last year, aside from the completely electronic 2010 album Tychozorente, the first to feature no guitars, that is, of course, ignoring his past ventures into noisy territory with Despair and ORL&JMW.
Un Corazón De Nadie was released (as usually) as a surprise upload in Omar's Bandcamp page with cd preorders following a few days later. The release was probably planned as a tribute to his mother who passed away a few months before (she's holding Omar in the cover and is credited with creating the collage picture).

Like in Un Escorpion Perfumado the album consists in about half a dozen songs often separated by electronic/noise interludes and experiments featuring pulsating bass lines and sinister sounding synth arrangements, the fifth track (Colmillo) is the first to stray from that definition, offering a nostalgic and light hearted synth melody, briefly followed by the sound of hammering percussion and odd beats in Querer, featuring Omar on piano. Most of the vocals are often unmelodic and delivered in the form of low register whispers, something that Omar seems to feel comfortable about and that has been present in other recent releases. After Querer the albums dives into noisy and mostly instrumental territory until the closer Adiós arrives, while still delivering some interesting landscapes like Hez. 

Overall Un Corazón De Nadie is a good statement in Omar's branching career and a good stepping stone for his recent obsession for synths and electronic music, I just wouldn't recommend to those looking for an accesible entry to his catalogue or for those more accustomed to his "guitar" albums.