Mostrando entradas con la etiqueta instrumental. Mostrar todas las entradas
Mostrando entradas con la etiqueta instrumental. Mostrar todas las entradas

5 de agosto de 2013

[Review] Scale The Summit - The Migration

In a world where the term "instrumental metal" has become a synonym of "squeezing as many notes and transitions as possible into a 7 minute long composition" it's hard to find bands that defy that formula. When I first listened to Scale The Summit a few years ago I instantly noticed there was more to them than just 4 insanely skilled musicians playing together. 
The band has come to describe their sound as "adventure metal" and once you listen to one of their albums from beginning to end it's easy to see why, each of their albums take you on a journey through a myriad of sonic landscapes. But while their previous efforts have had songs ranging from dark, heavy, intense metal to more laid back, calm and jazzy compositions, The Migration narrows the scope a little, and not always for the best.
Through the album does a flawless job at making you feel like you are running under a cloudless sky in a cool day with the sun hitting your face, it sometimes feel like the album could benefit from a little variety. In this regard it's good that it clocks at 42 minutes, because it's an adequate ammount of time for the scope of the album.
The Migration also starts in the same way as it ends, with two fast, lush and busy songs, and it's very difficult (if not impossible) to find a point in the record that could be described as a climax. The only one that strays a little from the lively sound of the album is "The Dark Horse" which lives up to it's name from beginning to end.
All in all, these things don't stop Scale The Summit's fourth record from being a breath of fresh air in the progressive metal scene, the skill and vision of their members is beyond question and there's no doubt The Migration sounds exactly as they intended, from the sunny landscapes it paints to the way the two guitars interwine constantly, it's evident that every note has been put there deliberately. Overall, a carefully crafted and solid record that struggles to achieve the scope of it's predecessors.

7.5/10

25 de julio de 2013

[Review] The Aristocrats - Culture Clash


Supergroups come and go these days, often building a lot of hype before collapsing after a release or two; sometimes chemistry never happens between the members and it never really ends up being a group but just a few musicians with backgrounds too different to work together as a band. Once in a while though, magic happens and bands like The Aristocrats come around. 
Formed after a NAMM show in California that almost didn't happen, Bryan Beller, Guthrie Govan and Marco Minnemann certainly felt there was something special in the air when they first jammed together in 2011, and soon after that they released their self-titled debut album, which received good reviews all around, praising their individual talents as well as their collective sound.
Two years later the trio strikes back with their second LP titled "Culture Clash", pointing at the cultural diversity of their members. Each of them contributed three songs to the album, though if you ask me they must be in the same headspace because the album flows very well and feels very heterogeneous.


Culture Clash is more focused than their first album, there's only one song under the 5:00 mark but the songs rarely feel too long for their own good, the album is filled with groovy bass lines and drum fills as well as long, engaging guitar leads and solos.  Though the album could be defined as a fusion of rock, a little blues and jazz (even a little metal here and there) each song has it's own sound and personality, from opener Dance of The Aristocrats, which sounds like Primus without their usual weirdness, passing through bluesy, fast paced Louisville Stomp, the dry tones of Desert Tornado and the heavy hitter that is Living The Dream.
It's fairly evident for those that have seen this band live that they both don't take themselves too seriously (you can see a video of the band stopping mid song to jam with their smartphones) and that they love messing around both live and in studio, and this shows in the tone of their compositions, often adding a cheery element to it.
Culture Clash is an album for those that like shredding as much as carefully composed rock songs, balancing both sides evenly, never sounding like the band is going too far in either direction. A must for all musicians out there.

8.5/10

13 de enero de 2012

(9/10) Scale The Summit - The Collective


No soy muy fan de este tipo de música pero este disco me conquistó totalmente, porque no se pasa de virtuoso ni suena repetitivo. Algunos diran que son una banda de metal instrumental, pero para mi van mucho mas allá que solo metal. Lo poco pero interesante que se sobre esta banda es que sus dos guitarristas se recibieron en Berklee y que ambos son luthiers. Otro dato interesante es que si alguien quiere animársele a alguna de sus canciones ellos venden libros de partituras y tablaturas en su sitio. En estos momentos estan salieron de gira como headliners por primera vez, y aparéntemente están trabajando en su próximo disco (prometen tocar un tema nuevo en los shows). Es un disco para escuchar con paciencia y esperar a que se asiente...


Guitar – Chris Letchford
Guitar – Travis Levrier
Bass – Jordan Eberhardt
Drums – Pat Skeffington
 
 1. "Colossal"
2. "Whales"
3. "Emersion"
4. "The Levitated"
5. "Secret Earth"
6. "Gallows"
7. "Origin of Species"
8. "Alpenglow"
9. "Black Hills"
10. "Balkan"
11. "Drifting Figures"




30 de diciembre de 2011

(8.5/10) The Aristocrats - The Aristocrats (2011)



Long story short, el bajista y el baterista de esta banda tenían que tocar una clínica con un guitarrista que por alguna razón que no recuerdo tuvo que cancelar a último momento, la onda es que metieron a Guthrie Govan en el medio y a los tres les gusto lo que tocaban, así que decidieron armarse una bandita y este es el resultado.
El disco es muy variado, un poco de blues, un poco de jazz, alguna bossa, algunos riffs pesados, algunos solos de bateria bestiales... un poco de todo, muy buen disco, tarda un poco en caer del todo nada más. Escuchen el solo de batería de este tema y van a querer bajar el disco en seguida.


Las siglas de sus integrantes son GG, BB, y MM.

1. Boing!… I'm In The Back
2. Sweaty Knockers
3. Bad Asteroid
4. Get It Like That
5. Furtive Jack
6. I Want A Parrot
7. See You Next Tuesday
8. Blues Fuckers
9. Flatlands

Bryan Beller - Bass
Marco Minnemann - Drums
Guthrie Govan - Guitar

27 de diciembre de 2011

(8/10) [FREE] Charts And Maps - Dead Horse (2011)



Charts and Maps es una banda de jazz instrumental de Los Angeles que incorpora elementos de varios géneros como math rock o post rock, e incluso algunos pasajes electrónicos. Mi poco conocimiento sobre la banda me indica que vienen tocando hace unos años y decidieron lanzar este disco como testamento de todo ese trabajo. El disco es interesante y variado, por momentos entra en el terreno del rock, hay cambios bruscos muy interesantes y momentos memorables que vienen de la nada. En fin, ustedes jusguen (es gratis!):


1. Take Me Back to Highland Park (04:37)
2. In the Town of Machine (11:39)
3. Gold Roomer (07:01)
4. Now I Must Hit You (07:55)
5. Pearl Divers of the Arabian Peninsula (07:32)
6. Hypnotiq American Firework (08:12)
7. Dead Horse (09:28)