Mostrando entradas con la etiqueta punk. Mostrar todas las entradas
Mostrando entradas con la etiqueta punk. Mostrar todas las entradas

11 de junio de 2014

[Review] Big Sir - Digital Gardens



    Out of all the side projects The Mars Volta has spawned through the years Big Sir is probably the quietest, but "Digital Gardens", a remixing/reimagining of "Before Gardens, After Gardens", the band's last studio album released in 2012, seeks to knock fans off their feet with an electronic punk take on their latest work.
    Besides playing bass for The Mars Volta, Juan Alderete is known for his legacy as the bass player of heavy metal band Racer X so I wasn't very surprised about the idea of this record, but hearing Lisa scream caught me completely off guard when I first listened to it. The album consists of 9 tracks ranging from remixes to completely re-recorded versions, featuring Dave Elitch of Killer Be Killed and ANTEMASQUE on several tracks and Bosnian Rainbows' and ex-The Mars Volta Deantoni Parks on the closer. The "live in studio" songs are basically punk rock versions and are very entertaining, but the remixed versions are more interesting, the electronic aspect of their music is much more prominent and Juan's bass tone is dirty and loud, combined with Lisa's rough vocals and distorted drum beats.
    Most of the songs on the album clock at 2 minutes so I barely got to enjoy them before they ended, but it works for the album and it's punk attitude. "Digital Gardens" is definitely not something to listen to over and over but a good snack in between albums, a few punches and kicks and it's over and despite it's lenght it has some high moments, "Old Blood" sounds like a punkish Bosnian Rainbows, "Right Action" features impeccable drumming from Dave Elitch and "The Kindest Hour" is suprisingly calm and dreamy compared to the rest of the record.
    "Digital Gardens" is an entertaining sonic experiment that won't quench your thirst for a new Big Sir album, but it's definitely worth a listen, it's a short but solid record that doesn't have any dull moments.

Ranking: good
Accesibility: average
For fans of: punk, garage, electronic music

23 de octubre de 2013

[Review] Pez - Nueva Era, Viejas Mañas


Free download from the band's website: http://www.pezapesta.com.ar/bajadas/Nuevaeraviejasmanias.rar

Pez is an argentinian rock band formed in the first half of the 90's in Buenos Aires and known for reinventing themselves album after album, as well as being notably prolific (they've been releasing albums at an average of 18 months from each other). Througout their nearly 20 year long career, Pez has included elements from genres as diverse as punk, progressive rock, jazz fusion and metal.
"Nueva Era, Viejas Mañas", which translates to "New Era, Old Knacks" is the return of the band to their old roots in punk and hard rock, though undoubtedly showing what they have learned in all these years, specially in the songwriting department. The line up is mostly the same as it was 20 years ago, Ariel Minimal on guitar and vocals, Franco Salvador (who entered the band in 1996) on drums and backing vocals and "Fosforo" García (who had contributed backing vocals on their debut album in 1994) on bass and backing vocals.
The album features distorted guitar riffs, pounding drums, groovy bass lines and an equilibrium between clean and raw vocals; the band has reduced their scope after their expansive and epic album "Volviendo a las Cavernas" from 2011. Their new formation doesn't include "Pepo" Limeres on keyboards and piano anymore, an element that was present in almost all of Pez' albums since 1998. As a result of this and the fact that the album is mostly comprised of heavy hard rock/punk songs, "Nueva Era" feels a little unidimensional compared to their previous offerings, and though I wouldn't put it very high in their album ranking it's still a pretty solid record and a fresh start for the band.
If you've been reading this blog for some time and feel identified with most of the music I review, I'd recommend leaving this album for a later date and starting with "Los Orfebres" or "Volviendo a las Cavernas" instead (you can also download them at http://www.pezapesta.com.ar/audios.html).
The lyrics have returning themes in all of Pez' albums, mainly discussing social conflicts, ideologies and existencialism.
Overall, it features everything that you could expect from a Pez album, but narrows down their sound to something more specific an simple.

8/10

26 de enero de 2012

(8/10) Soundgarden - Live on I-5 (2011)


Reviewing live albums can be a bit difficult sometimes, generally I try not to focus on the songs itself but on the performance quality, lenght, tracklist and improvisation/extras. In this case Live on I-5 is a pretty decent live album that in my opinion is long enough but lacks variety. Of course some people may have different preferences about the tracklist, I feel most of Soundgarden's casual audience sticks to Superunknown, this may be the reason I'm not completely satisfied with it since I've heard most of their discography and I like their punk roots as much as I liked Down On The Upside which in my opinion is very underrated when compared to Superunknown. The sound quality is good enough for me, there's little to no improvisation involved (specially not jams, maybe one or two, a short jam in Spoonman for example) and the tracklist is 60% Superunknown/Down On The Upside, with the former being the protagonist (they obviously couldn't let out hits like Black Hole Sun or Fell on Black Days).

A song that is sadly missing from the album (unless you preordered it):




Regular version tracklist:

1. "Spoonman"
2. "Searching with My Good Eye Closed"
3. "Let Me Drown"
4. "Head Down"
5. "Outshined"
6. "Rusty Cage"
7. "Burden in My Hand"
8. "Helter Skelter"
9. "Boot Camp"
10. "Nothing to Say"
11. "Slaves and Bulldozers"
12. "Dusty"
13. "Fell on Black Days"
14. "Search and Destroy"
15. "Ty Cobb"
16. "Black Hole Sun"  
17. "Jesus Christ Pose" 

Matt Cameron – drums, percussion
Chris Cornell – vocals, rhythm guitar
Ben Shepherd – bass guitar
Kim Thayil – lead guitar

9 de enero de 2012

At The Drive In reunites for a few shows

Don't get me wrong I like ATDI a lot but this is so disheartening despite the fact that it could be a clever move from Omar and Cedric to promote LP6 and have some fun in the process... that beign said, I hope they can kill it this hard, but I have my doubts... Cedric's voice is my main concern. For those wishing to see them Coachella tickets will be available soon.