21 de noviembre de 2013

[Review] Death Grips - Government Plates


Death Grips have received a lot of praise and a lot of hate in the last year and a half, after releasing their landmark album The Money Store in 2012 they went on to cancel a full tour, release the next album for free (which ended their relationship with Epic) and then cancelling another tour, as well as not showing up to a show in Chicago... but what about the music? Well, it's no less chaotic and agressive than their recent approach to label and tour obligations.
While their previous three albums featured MC Ride prominently, Government Plates (which was released for free and to the complete surprise of their fans) is much more experimental, spacey and electronic. Only a few songs feature Ride regularly, while most are majorly instrumental or feature just a few lines or samples that give personality to the wall of noise and electronic beats behind.
Government Plates is a short, agressive and psychedelic journey that feels like listening to rap on a variety of drugs.


From the short, fast paced, electronic bubbling track "Big House" to the crawling glitch-hop of "I'm Overflow" and finally the impressive wall-of-noise behemoth "Whatever I Want (Fuck Who's Watching)" the album has a lot of variety to offer in it's 35 minutes. From Ride's in-your-face-verbal-abuse shouting/rapping, to Zach Hill's frenetic beats to Andy Morin's electronic sweeps and heavy synth riffs the album has it's own personality and shows a new "progressive" face of the californian band.
There's no doubt Death Grips have a lot of personality both in the studio and outside of it, and they still have a lot to offer musically.

8.5/10

13 de noviembre de 2013

A Wild Death Grips Album Appears!


Death Grips have once again surprised everyone by releasing another free album. "Government Plates" features 11 songs with a total lenght of 35 minutes. The album can be downloaded here and here, or streamed through Soundcloud. Is Death Grips becoming the Omar Rodriguez-Lopez of experimental hip hop? I guess we'll have to wait and see...

11 de noviembre de 2013

CYNIC Announce Follow Up To 2008's "Traced In Air"


Progressive-metal band CYNIC have announced the release of the long awaited follow up to 2008's Traced in Air. The album, titled Kindly Bent To Free Us will be released on Valentine's Day next year.
Drummer Sean Reinert had previously commented on the album, saying: "It's a bold new sound for CYNIC and marks a gigantic leap in the band's progression.".

10 de noviembre de 2013

[Review] Protest The Hero - Volition


Canadian progressive-mathcore-metal band Protest The Hero are back with their crowdfunded follow up to 2011's "Scurrilous", with Chris Adler of Lamb of God replacing Moe Carlson on drums and a number of guests on vocals (including long time contributor Jadea Kelly), their new album "Volition" takes them on yet another new direction. Whereas "Scurrilous" was dark, sad and instrumentally spacey at times, "Volition" is compressed, fast and agressive. While it feels than none of the songs in "Volition" are as epic in scale or exhilarating as "Blindfolds Aside", "Sequoia Throne" or "Hair Trigger" the album is enjoyable at all levels from beginning to end.


The album is both lyrically and instrumentally diverse, adressing discrimination and misogyny at one moment and stepping on the toes of dishonest musicians the next and the unending "Star Wars vs Star Trek" debate. It also features what is probably the most agressive song Protest The Hero has released: "A Life Embossed", with "Animal Bones" a close second.
The album sees the return of PtH's (post)hardcore roots in many of it's songs, with the closer "Skies" being the perfect example (specially in the second half). The constant jump between unhindered aggression and attractive choruses keeps the album fresh at all times and vocalist Rody Walker's range is one of the main attractions. In short, PtH has managed once again to keep things fresh in a genre often bloated with carbon-copy bands, while mantaing a high standard of quality in the whole album. it may take as long as 10 listens before the album really sinks in, because of everything it throws at you at the same time, but once it does it's immensely rewarding.

9/10